Horn

Barry Tuckwell
Preface by Yehudi Menuhin
£16.95

Barry Tuckwell, until his retirement, was one of the world’s leading horn virtuosos and thus eminently suited to writing this Yehudi Menuhin Music Guide. This versatile musician combines a soloist’s experience, an orchestral player’s inside knowledge and a conductor’s broad view of the horn and its music.

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Description

Barry Tuckwell was, until his retirement, one of the world’s leading horn virtuosos and thus eminently suited to writing this Guide. He combines a soloists experience, an orchestral player’s inside knowledge and a conductor’s broad view of the horn and its music. He tells the fascinating story of the taming of the horn from a loud, rough signalling instrument to one that is mellow and emotive – described by Schumann as the soul of the orchestra. The history of the horn we know today is closely related to technical developments both in playing and in writing, and with a wealth of musical examples Barry Tuckwell tells us of these changes and the people who made them. He then deals with the difficulties of building and maintaining this difficult instrument, providing invaluable insights into the practicalities of the craft. Useful advice is given on all aspects of learning, practising and playing for the beginner, amateur and teacher. Finally the reader is given the benefit of an inside view of the life of a professional horn player, whether rehearsing, recording or performing live down to so basic (and easily overlooked) a consideration as fatigue – the players’ need to spread the load – the explanation for what often seems to the concert-goer to be one more horn player than is necessary.

Contents

Preface by Yehudi Menuhin
Author’s Preface
1. Ancestry
2. Valves and the Modern Horn
3. Composers and the Horn
4. Some Masters of the Horn
5. Building the Horn – A Transposing Instrument
6. Advice for Beginners
7. The Horn Player, Artist and Technician
8. Teaching the Horn
Index

About the Author

Australian Barry Tuckwell studied piano, organ and violin as a chorister in Sydney before taking up the horn at the age of 13. He joined the Melbourne Symphony Orchestra and then the Sydney Symphony Orchestra before moving to England where he played with the Hallé, Scottish National and Bournemouth Symphony Orchestras before joining the London Symphony Orchestra. He moved away from orchestral playing to concentrate on playing solo and chamber music, conducting and teaching.

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